Rose Frantzen: A National Treasure
Rose Frantzen is a truly quintessential artist, personifying all that is unique and extraordinary about what it means to be a painter. Working primarily in oil, she specializes in figurative works, landscapes, still lifes, and thematic projects. We are very proud to be hosting a masterclass workshop with Rose Frantzen, which will take place in Provence, July 15-23, 2024. Portrait of Maquoketa After studying at the American Academy of Art in Chicago, with Richard Schmid at the Palette and Chisel Academy, and then with the late Deane G. Keller at the Lyme Academy College of Fine Arts, Frantzen returned to her hometown of Maquoketa, Iowa, making it the center and study of her artistic endeavor. One landmark project undertaken by Frantzen is entitled Portrait of Maquoketa, which focuses exclusively on the citizens of the town. The project consists of 180 individual 12” X 12” oil portraits, painted over the course of a year from a Main Street storefront, of anyone in the town who wished to pose for her. This is how she describes the project on her web site, “I wanted to paint my neighbors and fellow Maquoketans without any selection or choice on my part, attempting to capture a direct portrayal of the people around me. Together, we could democratize portraiture, allowing anyone to be painted just by showing up and participating.” From 2009-2010, Portrait of Maquoketa was shown for eight months at the Smithsonian National Portrait Gallery in Washington, D.C. Iowa Figge Art An expanded version of the project was shown in 2012-2013 at Davenport, Iowa’s Figge Art Museum. To complete her full vision for this exhibit, Frantzen painted a 315-square-foot landscape view of the town, which was broken up into 34 vertical panels. Seen from one end of the installation, the panels comprise what one would see if they were standing in the hills outside of Maquoteka. The 180 portraits of the townspeople are mounted on the reverse of the panels. Fritzen’s husband, Chuck Morris, assisted with mapping and engineering the landscape so that the panels coalesce from one point of view. John Frantzen, the artist’s brother, composed audio compositions to accompany the exhibit. The compositions include voices of the portrait subjects combined with the landscape’s natural sounds. Ultimately Portrait of Maquoketa was purchased by the Figge Art Museum, which alternately shows the installation in the museum, and tours it to other locations. In the Face of Illusion Another intriguing project undertaken by Frantzen is entitled In the Face of Illusion. This exhibit consists of portraits and figures that are integrated with optical illusions. Of the exhibit, Rose is quoted on her web site as asking, “Can we trust ourselves so much? Optical illusions remain persistent, even when we rationally know that we are seeing things incorrectly. If misperception happens with simple lines and shapes, why wouldn’t this also occur when we encounter something as complex as another human being or maybe even ourselves?” Frantzen’s other work has been widely exhibited at the Denver Historical Museum, the Butler Institute of American Art, the Cedar Rapids Museum of Art, and she is a multi-award winner with the Portrait Society of America’s International Portrait Competition. In addition to showing her art at the Figge Art Museum, Franzen’s work is included in the permanent collections at the Brunnier Art Museum and the Dubuque Museum of Art. Frantzen’s paintings have also been pictured in international art magazines. Franzen frequently conducts art demonstrations, guest lectures, and participates in art discussion panels. In addition to their other work, Frantzen and her husband, Chuck Morris, operate the non-profit Maquoketa Art Experience on Main Street in Maquoketa. The Art Experience offers exhibitions of regional art, art classes, and a creativity café. Learn more about Rose Frantzen’s Workshop and sign up here.
The Wonder of Lavender in Provence
Your first step into a lavender field is a complete sensory invasion.
First there’s the unique color, and then the unforgettable scent. When a breeze crosses the field, it becomes a sea of undulating purple. Then there’s the constant sound of…
Bonjour Decoded
To get the most out of your trip to France, you have to connect with the locals – and the best way to connect is to speak their language. Even if you don’t speak French, in large cities like Paris, most locals speak a good amount of English. But if you walk up and try to start a conversation in English, they’ll likely be a little less than willing to help. So, start with the one word of French you must know to speak their language! Fortunately, learning a few easy phrases makes a world of difference. It Starts With Bonjour Always, always, always start every interaction with a French person with “Bonjour”, or “Bonsoir” if in the evening. To do otherwise is considered extremely rude. Asking directions? Say bonjour! Buying a baguette? Say bonjour! If you’ve ever heard that the French can be rude, it’s probably because the person didn’t say bonjour! Oh, and resist the temptation to say excuse me (excusez moi) before you say bonjour. You’ll just make the person wonder what you did wrong! Then ask “Parlez-vous Anglais?” meaning, “Do you speak English?” Locals appreciate it when you at least attempt to speak their language, even if you’re terrible at it. Usually, they’ll answer with a smile and say yes or no. Head’s up – In smaller French cities and towns, locals often speak little or no English. In these areas, you’ll want to have a translator handy. Apps Help! Several smart phone apps are available for free downloads – Google Translate is one of the most popular. Using the app, you can download a language pack before your trip, so it won’t require data when you’re abroad. This is important because your U.S. phone plan likely charges exorbitant international data fees, and many phone apps require data. With Google Translate, you can type in anything and it will translate from English to French and vice versa. You can also use your phone’s camera to hover over signs and menus and see a translation. This feature is extremely useful when you’re at a restaurant reading through “Le plat du jour,” or the daily special. Speaking of food, you’ll want to check out these tips for eating in France. And when you’re ready to end with a thank you, say “Merci”, then “au revoir” which means “See you again!” Even if it’s someone at the train station who you know you’ll never see again! If you want to sound like a local, you can also add goodbye with “Bonne journée” (pronounced bon joornay) and wish them a good day! Where there is a plan to meet up again soon, you can really impress them with your French by casually throwing out “À plus!” (pronounced Ah ploose) which is short for “See you later.” Enjoy your trip and remember to sign up for our newsletters to receive insider travel tips and stories. Au Revoir! Blogger: Julie Snyder Julie Snyder is a professional artist and also the programs director of Workshops In France. A native of Scotland, she is a seasoned traveler who splits her time between California and France. You can learn more about her role with Workshops in France here.
Sorolla at the Hôtel de Caumont, Aix-en-Provence
For anyone attending one of our two Lavender Art Retreats near Aix-en-Provence this summer, there will be an extra special added event: the Hôtel de Caumont Art Centre in Aix-en-Provence will be presenting an exhibition of the Spanish painter Joaquin Sorolla, entitled Joaquin Sorolla, Spanish Lights.
Americans in Paris, George Gershwin and Gene Kelly
When Workshops in France partners with Vanessa Rothe Fine Art to present the historical workshop Americans In Paris Paint Provence in September of this year, we will be following a tradition that goes well beyond painting.
Non-Painters at Workshops and Art Retreats
At Workshops in France, we are often asked if it’s ok if a non-painting partner comes too and we say, “Absolutely!” We have had husbands and wives, mothers and daughters, sisters and friends at our workshops and art retreats in the past and everyone has a wonderful time, whether painting or not! There Is Always Something To Do Of course we structure our events with painting in mind but we still give the non-painters a rich experience. Whether we are in the glorious south of France, in wonderful Scotland, or in stunning Tuscany we always give our guests the opportunity to experience more than just painting! We have Museum tours, visits to historical sites, and lots of cultural immersion that are enjoyed by both the artists and non-painters alike. This includes market days, wine tasting, (or visits to a whisky distillery in Scotland) trips to local landmarks and idyllic locations, and of course some down-time to relax, read or swim in the pool. We have had guests who go explore on their own, go to play golf, or go into town to enjoy the café culture and shops while we artists are tethered to our easels. In a way the non-painters are more flexible with their time as they have the freedom to wander and explore so much more! If the non-painter joins us with their painting spouse, we’ve even seen their relationship change for the better! We remove all of the distractions so they can better concentrate on their own interests when apart, and each other when together. At one of Carol Marine’s Workshops, Gregory a non-painter, came with his lovely wife Coralie. He was such an asset to the group as his enthusiasm for life was infectious! He even ended up painting and surprised everyone with his wonderful work! We enjoyed their company so much that we invited them to be crew for us in Scotland and they are returning again to help us deliver the retreat in Tuscany. We are thrilled to say that we have quite a few couples returning with us for our next season, so our harmonious blend of activities for painters and non-painters must be working! Blogger: Shirley Hambrick Shirley Hambrick is an award-winning stained-glass artist and painter. She has lived in Scotland, Spain and the USA. Shirley is part of the Workshops in France team and attended over 20 of these trips. She writes about her adventures. Being Scottish, she was trained at Edinburgh College of Art and Design. Shirley teaches in the West Virginia area and you can some of her beautiful work here.
Susan Lyon: Faces and Figures, A Personal Vision
No doubt you have heard that Workshops in France is hosting a workshop given by world-renowned contemporary figure and portrait painter Susan Lyon. You won’t want to miss! You can see some of her art here. She not only creates breathtaking paintings, but she is also in high demand as an instructor. Her workshops sell out quickly, as do her many instructional DVDs. When Susan saw a feature on PBS about the artist, Georgia O’Keeffe, she was inspired to be an artist. This prompted her to enroll in the Art Institute of Chicago. Although she says she really learned nothing at the Institute, Susan considers herself fortunate that her father later steered her toward the American Academy of Art because he knew an instructor there. It was there that her career actually blossomed. Stepping Stones to Success It’s no surprise that Susan is valued so highly as an instructor, her teaching style is positive and highly encouraging. She comes by it honestly, as she was impressed by her Life Drawing teacher at the American Academy of Art, Mr. Parks. He inspired her to enter into a career in fine art. She describes Mr. Parks as “like a grandfather—loving, and everyone just melted toward him.” At the time, she was also taking a class in Creative Illustration, and the teacher of that class was quite the opposite. He sought to intimidate students rather than take them under his wing. It’s no surprise then, that she made her career decision based on the work of the kind, nurturing teacher. Susan went from there to the Palette and Chisel Club, where, at the age of 23, she become the youngest winner of their prestigious gold medal. It was also there that she met fellow student and her future husband, Scott Burdick. After their marriage they wanted to explore the world, inspired by artists such as John Singer Sargent who traveled extensively, painting faces and figures of many lands. When not traveling, they live in rural North Carolina. “Curious” and “Peonies” by Susan Lyon Susan and Scott have certainly made their dreams come true, as can be seen through their collective body of work. Today, they reign as a royal couple of the painting world—and the best-kept secret of Susan Lyon’s upcoming workshop is that her husband Scott Burdick, will also be there to mentor and engage with all the workshop attendees. The workshop includes painting models on the estate, and also in the Provencal countryside. Don’t miss it! Pictured here: Susan Lyon, programs coordinator for WorkshopsInFrance Julie Snyder, and Scott Burdick in the Piazza della Signoria, Florence where an impromptu meeting led to the creation of the Susan Lyon Workshop in Provence. Register Here Blogger: Julie Snyder Julie Snyder is a professional artist and also the programs director of Workshops In France. A native of Scotland, she is a seasoned traveler who splits her time between California and France. You can learn more about her role with Workshops in France here.
Joseph Zbukvic Video “The Three Amigos”
In September 2020, we will be hosting world-renowned watercolor artist, Joseph Zbukvic’s painting workshop in Provence. Joseph is one of the most highly regarded watercolor masters of our time, and it is hardly surprising that his work is quickly acquired by art lovers, or that his workshops sell out with waitlists.
Workshops in France Scholarship Program
We offer a scholarship opportunity to an artist who is actively pursuing future art goals: this full scholarship will be awarded to one of our exclusive workshops or retreats. Although it is not exclusively designed for a younger recipient, we are interested in inspiring the next generation of artists…
Meet Vanessa Rothe—Founder of Americans in Paris
You may have already heard of our upcoming event called Americans in Paris Paint Provence, which will take place in September 27-October 6, 2020. This once-in-a-lifetime workshop is a co-presented by Americans in Paris and Workshops in France, and will feature instruction by 5 of today’s contemporary masters. Americans in Paris is the brainchild of Vanessa Rothe, renowned fine artist, curator, author and designer, headquartered in the famed art center of Laguna Beach, California. We recently sat down with Vanessa to learn more about this amazing program, how it came about and what it means. WIF: What was the inspiration for your creation of the Americans in Paris art project? Americans in Paris started out with the initial idea to inspire some of the American artists of today to travel to Paris where so many great artists had gained inspiration through the ages, to collect exciting new ideas for their works of art. Following in the footsteps of the great American painters before them, such as Sargent, Whistler, and Cassat, a group of American realist and impressionist artists would travel to Paris, the City of Light, architecture, and fine art and draw inspiration from all that the city offered. There they would copy in museums, study the masters, absorb the culture, share ideas and inspiration and paint together with the goal of reaching the next level of mastery in their work. WIF: How does a project like this tie in with the purposes of you and other artists? The main purpose is to create new exciting works with important and interesting subjects. Many great artists can paint, but a project such as the Americans in Paris inspires us with exquisite subjects. We learn from European masters not only for technique, but for subjects as well, and seeing European scenes and architecture Subject matter is a big part of sales and identity to an artist. Being French and having lived surrounded by these ideas, France is a big part of my works and my identity as an artist. It’s who I am, so it’s what I paint. My whole life. I always have ideas to paint, and they sell well since my subjects are as interesting, or as beautiful or as easy to look at as they are pleasing. Painting European scenes and selling them in California has made me stand out among other landscape painters here over the last 20 years. Americans in Paris allows me to share what I do and my recipe for success with friends to help them, and also to help raise the quality of art in America in general. These are top painters and they are benefit from this inspiration. For other artists, I’m trying to introduce them to more European subjects which are considered foreign and different and exciting. For collectors, the allure of the “ foreign” is always interesting, be it clothing, art, or food. WIF: Talk about your original Paris retreat, the Paris Seminar. In order to raise funds for the original retreat, I curated an exhibition at the Salmagundi Club in New York in 2016 for 12 select American realist and impressionist artists. Many works were sold and we were able to plan for the journey. The first trip to Paris was actually created as a workshop week in May of 2017 that I organized to give the artists valuable relative information about art history, as well as the humanities and group figure composition. The 12 American artists painted in Paris and the Grande Chaumiere atelier for one week together, and filled their sketchbooks and minds with new ideas, some inspired by the past. The group had lively evening discussions based on specific topics, just like creative groups of the past such as the Impressionists and Hemingway and Fitzgerald’s writing groups did in the Paris bistros and bars years before. Image Courtesy of Павел Котов. WIF: What do you feel attendees took away from that retreat? Tons of new ideas, subjects, and influences from one another. They all told me it was a game changer, and they were infused with new life and ideas! WIF: Why did you join forces with Julie Snyder for the upcoming Americans in Paris/Workshops in France joint retreat? I honestly needed hep with the organizational aspect—it’s too much for one person and Americans in Paris had grown with success. I decided then, that I wanted help from a workshop, and I felt that Julie was more than capable of helping make this joint venture great. It was the perfect choice. I’ve always admired and had been watching Julie’s workshops for years. I also knew her personally from our plein air conference, and we always got along. We’re like-minded artists and lovers of France, and I’m very excited that we are joining forces. WIF: This exclusive workshop-retreat is for both artists and collectors. What do you feel attendees will achieve? I feel they will walk away with the same inspirations as those on our 2017 retreat—infused with ideas and subjects. And with these 5 teachers, they will also learn to improve their technique. In addition to all that, they get to totally enjoy France. They can focus on their art and their inspirations, without the worry of where to eat and where to stay. We all can focus on our creating! It’s a huge win for us all. We are making art history. As writers and artists of the past grouped together to share ideas and common threads, we are weaving our ideas together and creating new art. I’m very honored to help the artists of today evolve new ideas, to inspire them in a way with what comes natural to me with my French history, to share the knowledge I have of art history, and to share the beauty of Provence. Learn more about Americans in Paris Paint Provence and sign up here. Casey Childs: Youthful Decadence.