Hands in the Lascaux Caves of France.
Venetian Red (ferric oxide) has been used in painting, from prehistoric to modern art.
Like many colors used on the palettes of today’s artists, Venetian Red has a fascinating and dramatic backstory. In addition to its place in art, it holds a special place in British history and the American Revolution.
It is not a new pigment, although I wouldn’t say it belongs to all contemporary palettes. This color has been used for thousands of years. Venetian Red is derived from natural earth clay tinted by iron oxide. The deep red pigment required by painters was mined for centuries from a quarry near Venice — hence the name. Interestingly, there still remains a pit outside Venice that is claimed to be the historical source for the finest of this pigment. The name Venetian Red, however, wasn’t coined until the 17th or 18th century.
Since it is found widely in nature, this is color used by many landscape and figure painters, while rejected by others, probably because of its strength. It has a superlative tinting power as it’s semi-opaque. Venetian red is a red pigment with a lower chroma (less bright) than other reds and it has a pinkish undertone, which can be seen when mixing it with white.
The Old Masters
From the Renaissance period, Venetian Red was prominently used in The Disrobing of Christ painted in the 16th century by El Greco, The Assumption of the Virgin by Titian, and many other works of the period. The color is often used in making pinks that that work particularly well for flesh tones.
A more modern example can be found in Matisse’s Interior in Venetian Red.
Lascaux Cave Paintings
In art, Venetian Red can be found throughout the ages.
In the ancient world, the color can be found in celebrated Pompeii murals created over 2,000 years ago. Another and perhaps the oldest examples are the 17,000-year-old prehistoric Lascaux cave paintings in France.
Left: Matisse. Interior in Venetian Red.
Right: Lascaux Cave Painting
The Death of General Warren at the Battle of Bunker’s Hill, 17 June, 1775 by John Trumbull (American, 1756–1843)
The Redcoats are Coming!
One remarkable fact about this particular hue, was its utilization in dying the standard uniform of the British Army red, beginning in the mid-17th century. What were they thinking? Obviously, not about camouflaging the troops. One of the reasons for it being chosen, and probably the most important, was that it was less expensive at the time than other dyes. The color provided the nickname “Redcoats” throughout the 18th and the 19th centuries—a term taking a central place in American history and literature of the time. Legend has it that Paul Revere, on his famous midnight ride, rode through the New England countryside warning, “The redcoats are coming!”
Not surprisingly, the English changed the color of their battle uniforms to khaki in the 1890s.
Since the 19th century, the color Venetian Red (like many others) has been synthetically produced.
Blogger: Julie Snyder
Julie Snyder is a professional artist and also the programs director of Workshops In France. A native of Scotland, she is a seasoned traveler who splits her time between California and France. You can learn more about her role with Workshops in France here.
Your Artist Getaway Awaits
In Paris, Urban Gardens are making city life more enjoyable while combating the detrimental effects the city has on the environment at large.
Paris is renowned for many things, including art and fashion. In 2017, Vanessa Rothe lead a group of 12 artists to Paris to experience the kind of life that the renowned painters of the late 1800s knew so well. They painted together, studied the masters at the museums, and discussed the influence of art, literature, architecture, and fashion in their work.
We offer a scholarship opportunity to an artist who is actively pursuing future art goals: this full scholarship will be awarded to one of our exclusive workshops or retreats. Although it is not specifically designed for a younger recipient, we are interested in inspiring the next generation of artists to paint and pursue lives as working artists.